{"id":102,"date":"2026-05-11T14:57:21","date_gmt":"2026-05-11T14:57:21","guid":{"rendered":"https:\/\/futurnat.net\/?p=102"},"modified":"2026-05-18T15:47:19","modified_gmt":"2026-05-18T15:47:19","slug":"seminario-futuros","status":"publish","type":"post","link":"https:\/\/futurnat.net\/ca\/2026\/05\/11\/seminario-futuros\/","title":{"rendered":"Seminario: Futuros"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">Dise\u00f1o en los futuros ecosostenibles (y los futuros ecosostenibles en el dise\u00f1o)<\/h1>\n\n\n\n<p>El segundo seminario FUTURNAT celebrado el 11 de diciembre de 2025, ha estado enfocado al Dise\u00f1o en los futuros ecosostenibles (y los futuros ecosostenibles en el dise\u00f1o) con la participaci\u00f3n de <a href=\"https:\/\/www.elisava.net\/equipo-docente\/guim-espelt-estopa\/\">Guim Espelt Estop\u00e0<\/a>, de Elisava, Facultad de Dise\u00f1o e Ingenier\u00eda, UVIC y moderado por Elena Bartomeu.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"730\" height=\"558\" src=\"http:\/\/futurnat.net\/wp-content\/uploads\/sites\/74\/2026\/05\/02Rb-Seminario-1.png\" alt=\"\" class=\"wp-image-143\" srcset=\"https:\/\/futurnat.net\/wp-content\/uploads\/sites\/74\/2026\/05\/02Rb-Seminario-1.png 730w, https:\/\/futurnat.net\/wp-content\/uploads\/sites\/74\/2026\/05\/02Rb-Seminario-1-300x229.png 300w\" sizes=\"auto, (max-width: 730px) 100vw, 730px\" \/><\/figure>\n\n\n\n<p>Guim Espelt ha presentado su aproximaci\u00f3n al dise\u00f1o desde la ficci\u00f3n cinematogr\u00e1fica como una forma de materializar las visiones de futuro. Las pel\u00edculas de ficci\u00f3n son un documento etnogr\u00e1fico par explorar c\u00f3mo entendemos la relaci\u00f3n con los productos y entornos dise\u00f1ados. En el cine de ciencia-ficci\u00f3n se presentan ideaciones de artefactos que m\u00e1s tarde pueden materializarse en nuestra vida cotidiana, como un \u201cbanco de pruebas\u201d en el que testar artefactos y tecnolog\u00edas y su posible aceptaci\u00f3n social o una forma de plantear cr\u00edticamente qu\u00e9 futuro es deseable. Lineas de discusi\u00f3n: 1) la relaci\u00f3n del cine con la materializaci\u00f3n de imaginarios; 2) la relaci\u00f3n entre el entorno dise\u00f1ado y nuestra concepci\u00f3n de naturaleza; 3) la preponderancia de la tecnolog\u00eda en las visiones de futuro; 4) la linealidad temporal en la imaginaci\u00f3n dise\u00f1adora; 5) las narrativas en el dise\u00f1o.<\/p>\n\n\n\n<p>Elena Bartomeu ha presentado una panor\u00e1mica de la concepci\u00f3n del futuro en el dise\u00f1o desde dos perspectivas: 1) prospectiva y anticipatoria (m\u00e1s vinculada al mercado, en la cual el dise\u00f1o es el \u201cmotor\u201d para avanzar hacia el futuro; 2) especulativa y ficcional (en la cual el dise\u00f1o materializa un pensamiento cr\u00edtico o sirve de \u201cfreno\u201d reflexivo: hacia qu\u00e9 futuro?). En ambos casos, la linealidad temporal suele presentarse como universal e indiscutible. La segunda parte ha expuesto distintas cr\u00edticas a estos modelos desde las ontograf\u00edas, las ucron\u00edas, o otras formas de incluir distintas perspectivas humanas y no humanas en la pr\u00e1ctica del dise\u00f1o.<\/p>\n\n\n\n<p>Durante el seminario hemos degustado bombones de Guatemala y hemos discutido sobre c\u00f3mo entendemos la co-creaci\u00f3n y la necesidad de repensar la noci\u00f3n de naturaleza (como mundo dominado, como mundo uno) desde una pluralidad y hacia otras formas m\u00e1s situadas (como ecolog\u00edas concretas de relaciones de agencias involucradas).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dise\u00f1o en los futuros ecosostenibles (y los futuros ecosostenibles en el dise\u00f1o) El segundo seminario FUTURNAT celebrado el 11 de [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":143,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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